Our cameras love to measure time and light in fractions of a second. But often I do not. Walking through our field there is always motion. Even in the stillest of winds, the hoppers fly and bees buzz around me. Usually there is breeze that waves our grassland and wildflowers into one sea of flowing color and moving highlights.
When you give control to the camera it aims for clarity and thus it tries to slow time down to the point of stopping motion. When I walk our land or hike in our forests nothing seems still and frozen. Everything is moving, constant change, the wheel never stops. It is a bigger illusion to believe we have stopped time in clear print than the illusions and abstractions I present in these images.
All of this is not new. The Impressionistic painters in the 1800’s and JMW Turner before them, departed from the tradition of painting clearly. A new way to communicate the beauty and majesty of this world was born.
My first introduction to this way of approaching photography was found in William Neill’s Impressions of Light. Check out his ebook on capturing nature’s beauty in this manner.
All these images were created utilizing long exposures with camera movement. To gain long exposures times I had to use a Lee Big Stopper filter which adds 10 stops of light reduction. The only edits were performed in Lightroom for color, clarity, and “lengthening the histogram”.